28 February 2013
24 February 2013
19 February 2013
Ponte Inside-Out
Ponte from afar |
Last week I had the opportunity to visit the inside of Ponte City Apartments, one of Joburg's landmark building on the edge of Berea and Hillbrow. The Ponte tower stands high on a hill, a tubular masterpiece topped by a glowing magenta advert for Vodacom. Ponte was once voted second-most ugly building in Joburg. That seems unfair. Built by the 29 year old Rodney Grosskopff, Ponte has variously been called "a failed architectural attempt at avant-garde skyscraper living" and "a den of iniquity run by drug dealers and thugs".
That was during the sad days after the end of Apartheid, when whites left the CBD neighbourhoods and the area became a neglected dumping ground for immigrants and the poor. There was once a plan to turn it into a prison (as if it wasn't that already when the rubbish piled up inside the core to the 6th floor and whole storeys had been converted into brothels and shooting galleries).
Inside the core, looking up at the hallway windows |
At some stage there was a revival. The building was to be renovated from the ground up, with penthouse flats and flash furnishings. Plans for the unique, tubular core have included a climbing centre and a ski slope. There were financial wranglings, and then a recession, and it all fell apart. But, as if willing itself to be a symbol of the CBD's rebirth, there is now another, more sustainable initiative. The revamped ground floor with open spaces and clean shop floors will hopefully bring in paying visitors, a new biometric security system give a sense of safety, spanking new lifts replace the old creaky affairs.
I learnt all this only after my visit last week as part of the Yeoville walk. Now I am a little obsessed with the place.
It's hard to stop looking up |
The building rising from bare rock |
High up we can see clouds scudding past the circular blue cutout of the walls, but light barely reaches down here. The building partly sits on a two storey car park, a concrete grid letting in a little light from the side. We stumble across slippery slopes in the dimness, trying not to step into rubbish. Apparently the place is still abused as a quick disposal unit: egg shells, condoms, nappies, the usual. The space reminds me of the Gasometer in Oberhausen, a former gas tank repurposed into an art space. That space is lidded, and nowhere near as tall, but with the same feeling of infinity, of air and light bouncing off a circular space.
A tiny glimpse of the sky from the base of the core |
We ascend back to the ground floor to enter through the heavy security into the building proper. A serious looking guard behind a window, ID to show and a book to sign, a fingerprint scanner to operate the revolving gates - this place is as tight as Fort Knox. We ascend to a flat on the 52nd floor in one of the new lifts, padding covering the gleaming steel interior. Previously the flat was a two storey penthouse apartment - we can still see the stairs going nowhere next to his front door - but now it is a two-bedroom loft with a large open-spaced living room/kitchen. He is sharing with another person, bedroom off either side of the living room for privacy, and pays R5400 per month! The view, of course, is stunning. The windows open, giving a frisson of vertigo when I hold out my arm to take a photo. Fresh air wafts in with the view across the south of Jozi, a unique vantage point.
The view from the 52nd floor |
Much has been written about Ponte by people who are more knowledgable than I am about Jozi's recent history. It makes me think that the building, standing prominently on Jozi's skyline, is considered a cypher for something bigger, a hope of renewal, a marker in history. My obsession grows.
A human being for size comparison |
Update April 2012: I discovered a poetic little film about Ponte
Also, another article has the strange assertion that the design has flats for whites looking out and flats for black servants looking into the core of the building. As far as I could see all the flats had views to the outside, and the windows overlooking the inner core lined the corridors. Am I missing something?
Labels:
architecture,
art,
cities,
johannesburg,
photo,
Photowalking,
South Africa
13 February 2013
A stroll through Yeoville
The View from Observatory Hill towards Hillbrow |
Public Art |
Saturday worshippers on Observatory Hill |
Westminster Mansions |
The cleaning ladies were keen to have their photo taken |
A Spaza shop |
One of the few pictures I managed to grab before the security guards arrived |
Desire, one of the Dlala Nje artists, at Yeoville pool |
Stylish local architecture, cool fonts |
More photos here:
www.flickr.com |
Labels:
architecture,
cities,
culture,
johannesburg,
South Africa
09 February 2013
This day in history: Photowalks
Photowalker at the wishing tree |
This is going to be a new series of post. Why? Because I have not blogged when things happened, so now I write about them in hindsight. That way I don't feel that I am so very very late with my writings, and I can still talk about the events I want to talk about...
Cinema becomes church - suspension of disbelief continues |
I can see that a year ago this month I went on my first and second photo walk. For those not in the know, the photowalkers are a Johannesburg group (do they exist anywhere else? I have never noticed them before, but who knows...) of amateur and pro photographers who walk the streets of Joburg and its surrounds in search of a good shot. The group has been going since 2009 and was founded by Mark Straw, who seems to have an indefatigable enthusiasm for devising new and interesting places to visit.
Giving out New Year's good luck charms |
Chinese New Year
My first event was the Chinese New Year celebrations in Bronkhorstspruit at the Nan Hua Temple. Heather, who first mentioned the whole photowalker concept to me, assured me that everyone would be friendly, and that she would introduce me. As it turned out we never even met any photo walkers, although they were surely there, because the temple was crowded with visitors.
All kinds of food for sale |
Just outside the front entrance was a wishing tree festooned with ribbons where people left their wishes for the new year. Photo opportunities abounded. Even though we didn't meet the photo walkers, we came away with a haul of good pictures.
Art Deco Photowalk
The splendid |
It was on the next photowalk where I really got into the whole thing. Meeting in the morning at a mall in East Joburg, about twenty people divided up into cars for the ride out to Springs for the first part of an architectural tour of Joburg's satellite towns.
Photowalker in action |
A local architect showed us the art deco treasures of Springs: the town hall, local schools and private houses, and on the main street a cinema turned church as well as rows of shops and warehouses - all sporting fabulous Art Deco styling.
Glorious Art Deco in Benoni |
I spend a lot of time walking around cities (and the countryside) photographing what I see. I guess that makes me an urban photographer. The difference between going for a walk on my own and a photowalk is like night and day: In a group there is the challenge to catch that shot that no-one else did, find an angle that no-one else has.
But it's not just competition. In a new place I am always fascinated when I see someone else take a picture. I creep up behind them and try to work out if they have discovered an interesting subject, what it is they are looking at. On a photowalk that is multiplied, because we all stand behind each other looking at the others' shots, wondering if we can capture something worthwhile, but different. It's a constant pushing and intensifying, scrutinising and questioning of the current view point. What else is there? How else can I capture this? What am I missing?
Want to go photowalking?
Blast from the past - analog photos |
A Pentax K1000 in the wild |
Best thing about photowalking? Going to places I either didn't know existed, or wouldn't have been brave enough to visit by myself. Joburg photowalkers are on Meetup, and as it turns out so are a bunch of other photowalking groups, so there is no excuse not to get involved.
More photos here:
2012 Chinese New Year
www.flickr.com
|
Labels:
art,
culture,
johannesburg,
photo,
Photowalking,
South Africa,
what I love
08 February 2013
07 February 2013
Exhibition opening: Michael Meyersfeld - DISCORDANCE
The location: the ultra-modernist University Of Johannesburg Art Gallery: grass roof, geometric landscaping, white-washed concrete walls.
The audience: students, hipsters, queers, connoisseurs. Many many cool people, sipping wine, peering knowingly at exhibits, brows furrowed.
The photos were sub-Helmut Newton: naked long-legged models draped in varying misogynist poses as well as some sledgehammer poetry (not sure it was his), read out by a poetry slammer with a sound effect band - breaking sticks and ripping paper...) and a failing Powerpoint slideshow.
There were some gems: an old black man in a lake, his head just about emerging from the water like Adam from the womb; an old white man, lying naked on his bed, freckled all over his translucent skin, human body shape barely recognisable, warped from age and religion; a fat lady primly seated on a bench inside the Johannesburg Art Gallery courtyard, encased in wire - safe, serene, unselfconscious.
My highlight was a series of large colour photos of knocked-over traffic lights around the streets of Johannesburg, the red orange green still flashing obediently amidst a tangle of warped steel and knotted electrical cables. There, finally, was a subtle statement on urban South Africa circa 2013.
Labels:
art,
culture,
johannesburg,
South Africa
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